In 2025, Aardman closed the department I was working in, and I was made redundant.
I decided to focus on my art practice, developing this hybrid machine painting approach, building tools physically and with code.
It hasn’t been straightforward, and I’m still figuring it out as I go along.
This diptych is a meditation on that process, and my last year. The same event, the same thing, seen in two different ways. How I felt then, and how I feel now.
